Danish-style Comfortable Interior Design
Holger Hansen thought the chairs looked like garden furniture.
His father agreed. Carl Hansen had founded the company in 1908, started with bedroom furniture for the bourgeoisie on Funen island, survived the Depression by making wooden cases for Singer sewing machines. The old man knew what sold. These curved things Hans Wegner had brought in were not it.
But Ella Hansen liked them.
"My father had good taste," Knud Erik Hansen said decades later, "but the real good taste was my mother."
This was 1949. Wegner had delivered four chairs and a sideboard to the Hansen workshop in Odense. He had been working on Chinese-inspired designs since 1944, studying portraits of Danish merchants sitting in Ming dynasty chairs, trying to figure out what made those old seats work. The Y-shaped back support came from that. The steam-bent wood that curved the armrest into the backrest as a single piece. The paper cord seat woven in an envelope pattern.
Holger could not manufacture them. Not properly. The back legs needed a subcontractor with a lathe. The steam bending required an outside factory. Everything about the design exceeded what his shop could do alone.
He put them into production anyway.
The chairs launched in 1950. Design magazines wrote favorable reviews. Nobody bought them.
Holger flew to America with his last savings. New York to San Francisco. He showed the Wishbone Chair to anyone who would look. The orders started coming.
The Factory in Gelsted
Gelsted is a thirty-minute drive from Odense. The Carl Hansen & Søn factory sits there now. 60,000 square meters. 550 employees. One building exists solely to produce the CH24.
Knud Erik Hansen runs the company. Third generation. He took over in 2002, grew exports from 20 percent to over 50 percent in six years. Built a new factory. Opened stores worldwide. Bought Rud. Rasmussen, the workshop that made Kaare Klint's furniture. That acquisition did not work. He shut it down in 2016.
China has at least five factories copying the Wishbone Chair. Knud Erik mentions this without much concern. The copies do not come close to the original quality.
The original takes three weeks to make. Over 100 steps. Most done by hand.
A craftsman spends an hour weaving each seat. 120 meters of paper cord, fed through in an envelope pattern, the tension maintained by hand. The cord compresses over years of use. It molds to the shape of whoever sits there most. The seat in a grandmother's chair looks different from the seat in a child's.
The hall where they do the weaving is quiet. No machines. Just people with cord.
The wood comes from sawmills that have supplied the factory since the 1950s. Oak from the EU. Beech from Denmark. Walnut from America. Only the inner part of the trunk gets used. Everything is FSC-certified.
Scrap becomes fuel. A district heating plant burns the leftover wood. It warms 400 homes in Gelsted.
Natural Materials
Oak, beech, and walnut sourced from trusted sawmills
Handcrafted Excellence
Traditional techniques passed through generations
THE LAB — Training the Next Generation
The apprentice workshop opened a few years ago. They call it THE LAB. Young cabinetmakers train for three years and nine months. They start by making a toolbox with hand tools. They learn dovetail joints. They rotate through the joinery, the machine shop, the table department. They restore vintage pieces that customers send back for repair.
"Machines take care of the heavy work," Knud Erik said, "so the cabinetmakers can focus on the details and ensure the wood has soul."
He paused.
"The human element of a piece of furniture is very important in my opinion. Where you can see that it was created by a human being. This is the essence of what we want to train our apprentices in."
— Knud Erik HansenHolger Hansen worked constantly through the 1950s. The American orders kept coming. He partnered with Wegner for fifteen years. The Wishbone accounted for more than half of the company's sales.
In 1962, Holger died at home. He was fifty.
Ella stepped in. No succession plan existed. She ran the company and oversaw the development of new designs. Wegner created the Shell Chair during her tenure. Another bestseller.
The 1970s and 1980s were difficult. A failed exclusivity deal ended the American business temporarily. Danish modern went out of fashion. The workshop survived but did not thrive.
Then Japanese collectors started buying.
The Japanese Connection
They came for Finn Juhl first. Then Wegner. The aesthetic made sense to them. Natural materials. Organic forms. Clean joints. The similarities to Japanese woodworking were obvious.
Japan now accounts for more than a quarter of Wishbone Chair sales. There is an entire book about the chair published only in Japanese.
The CH25 lounge chair uses 400 meters of paper cord. The weaving takes ten hours.
Wegner chose the material during World War II. Seagrass had become unavailable. Paper cord was a replacement. He liked the look. He liked that it did not stretch. He put it on everything.
The Klint Legacy
Kaare Klint had different ideas. He measured existing furniture, then measured people, then redesigned the furniture to fit actual bodies. He called this approach "functional tradition." Style came after function. Decoration came never.
Klint taught at the Royal Danish Academy of Fine Arts from 1924 until his death in 1954. Wegner studied under him. So did Arne Jacobsen. So did Børge Mogensen and Poul Kjærholm.
The generation that emerged from Klint's classroom defined Danish furniture for fifty years.
Arne Jacobsen got the SAS Royal Hotel commission in 1956. First skyscraper in Denmark. He designed everything. The building. The furniture. The lighting. The signage. The cutlery. The door handles.
The exterior was glass and steel. The interior was supposed to contrast. He wanted something soft inside the hard box.
He went home to his garage. He worked with clay. He shaped curves until they felt right against his own back.
The Egg Chair came from that. Fritz Hansen manufactured fifty units for the hotel lobby. The foam shell technique was new. No visible frame. Just upholstery over padding over foam. The chairs weighed seven kilograms. Staff could move them easily.
The hotel opened in 1960. New owners took over in the early 1980s and threw out most of the original furniture. Some pieces ended up in flea markets. Only room 606 stayed untouched.
Space Copenhagen renovated the hotel in 2018. The Egg Chairs came back.
Fritz Hansen still makes them. No more than ten per week. Over 1,100 hand stitches for leather. 500 for fabric.
The Art of Living Light
Denmark burns more candles per capita than any country in Europe. The 2016 figure was 4.3 kilograms per person. Austria came second at roughly half that.
More than 50 percent of Danes light candles almost every day during autumn and winter. Only 4 percent say they never light candles.
The sun sets around 3 p.m. in December.
Meik Wiking runs the Happiness Research Institute in Copenhagen. He wrote a book called The Little Book of Hygge. It sold two million copies. Oxford added hygge to the dictionary.
Wiking calls candles "instant hygge." The Danish term is levende lys. Living light.
Hygge describes a feeling. The word cannot be precisely translated. It involves candles and blankets and old friends and hot drinks and staying at the table long after the meal ends. It involves furniture that you want to sit in for hours.
What Makes a Home Hyggelig
Wiking made a list of what makes a home hyggelig. The list sounds like an inventory of a Danish furniture showroom.
The Wishbone Chair costs over a thousand dollars new. The Egg Chair costs several times that.
The price reflects three weeks of work. Or ten hours of weaving. Or 100 steps done mostly by hand. Or sawmills that have supplied the same factory since the 1950s.
The price also reflects something else. A bet that people will keep these objects for decades. That grandchildren will sit where grandparents sat. That the paper cord will compress into the shape of the family.
Three Weeks of Work
Each piece represents dedication to craft that cannot be rushed
Ten Hours of Weaving
The CH25 lounge chair uses 400 meters of paper cord
100 Steps by Hand
Most production steps remain manual to this day
Holger Hansen did not live to see his company become globally famous. He died at fifty, having spent his last savings on a trip to convince Americans to buy furniture that his own father said looked like it belonged in a garden.
His wife kept the business running. His grandson expanded it worldwide. The chair his mother believed in now sells on six continents.
The factory in Gelsted trains apprentices for nearly four years. The Japanese buy more Wishbones than almost anyone. The Chinese copy them. The copies are not the same.
The original requires a person to spend an hour weaving a seat.
That hour shows.